Certain Songs #1371: Oasis – “Who Feels Love?”

Album: Standing on the Shoulder of Giants
Year: 2000

Perhaps Oasis most overtly-psychedelic song, chalk full of backwards tapes and featuring a slow, languid, druggy beat, “Who Feels Love?” is my favorite song on Standing on the Shoulder of Giants.

And because it was sequenced third on the record, just after “Go Let it Out,” it also made me pretty fucking excited for the rest of the record. If they could somehow do a whole album with songs as good as this — and keep them under epic length — then that would have been some kind of return.

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Certain Songs #1370: Oasis – “Go Let It Out”

Album: Standing on the Shoulder of Giants
Year: 2000

After Be Here Now, things changed in Oasis world.

First off, they took a bit of time off from recording and releasing any new material, with The Masterplan b-sides collection being the final — and excellent! — word from the the period where it looked like they were going to take over the world and have it stay taken over.

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Certain Songs #1369: Oasis – “It’s Getting Better (Man!!)”

Album: Be Here Now
Album: 1997

Nearly a decade after they broke up, the conventional wisdom on Oasis (if one wants to use the word “wisdom” when discussing Oasis) was that their first two albums — and the b-sides comp The Masterplan — were masterpieces (true!); their 2000s albums were all duds (false!) and Be Here Now … well, what about Be Here Now, anyways?

Originally hailed as a third consecutive masterpiece, then over time turning into a punchline for exactly the same reasons it was hailed, it seems like a couple of decades down the line that maybe it’s getting rehabilitated again. I do know that, when people realized I was going deep on Oasis, more than one person mentioned Be Here Now as something they wanted me to write about, meaning that there is still a lot of interest in what will remain a talked-about, most controversial album.

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Certain Songs #1368: Oasis – “D’You Know What I Mean?”

Album: Be Here Now
Year: 1997

While it was well-received at the time, 1997’s Be Here Now — the last album recorded with the original lineup — eventually became to be seen as a misfire after the twin salvos of Definitely Maybe and (What’s The Story) Morning Glory?

In one of my all-time favorite disses of any album, Rob Sheffield referred to it in the 2004’s Rolling Stone Record Guide as “a concept album about how long the songs are,” but of course what it really is is a classic cocaine album, the 1990’s equivalent to Aerosmith’s Draw The Line.

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Certain Songs #1367: Oasis – “Acquiesce”

Album: The Masterplan
Year: 1995

Of course, it really wasn’t The Beatles. Or, I should say, it really wasn’t just The Beatles. The Gallagher brothers referenced The Beatles as a way to signify their ambition, but Oasis was really more of a synthesis of the whole fucking British Invasion plus key post-British Invasion U.K. bands from the punk and post-punk eras.

But more British Invasion than anything else. They were synthesis of my favorite 60s British bands. I mean, like The Kinks, they had a pair of feuding brothers in the band, one of whom was the principal songwriter. Like The Rolling Stones, they perfected a DGAF rock ‘n’ roll attitude and came across both dumber and tougher than they really were. And like The Who, the lead singer wasn’t the principal songwriter, so the words he was singing weren’t his own, but those of his frenemy, giving him some emotional distance no matter how passionately he belted them.

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